In Joseph Conrad’s Heart of Darkness (1990), Marlow tells a bizarre tale of his encounter with Kurtz, a white man turned to satanic practices deep in the Congo. A strong connection between the two men leads Marlow to go against his personal values in order to protect Kurtz’s reputation. To entirely understand his pact with Kurtz, you must follow Marlow on his journey into the heart of Africa, starting from its beginning in London. The “Nellie”, the vessel Marlow goes through his journey on, seems to be like ones trail in life. Everyone goes through ups and downs, good and evil; although, nobody seems to notice why we have to continue to see the negative side of everything. “However, as you see, I did not go to join Kurtz there and then. I did not. I remained to dream the nightmare out to the end, and to show my loyalty to Kurtz once more.” Heart of Darkness (Conrad, 1990) Conrad is once again hinting how is a honourable and worthy peer. Marlow is seeing the dark side and is understanding it at last, but is still dealing with it. Joseph Conrad’s novella Heart of Darkness illustrates his idea with the use of several symbols. White Europeans are used as symbols of mistake, and objects other symbols are barriers to inner truth. Black is the foil of white; it represents the inner truth beneath the white surface of reality. White people and objects represent the exterior reality that deeper hidden truth presents in darkness of the congo. Conrad’s theme is plain and simply good verses evil, and whether we see both or not. Eventually, we see that the characters become unable to distinguish between good and evil. Conrad illustrates this moral uncertainty with light and darkness imagery and symbolism that often blends together, yet is filled with an overall inevitably evil shade. Conrad gets this message across to the reader by puttin Marlow in certain situations and confrontations while exploring in the congo. “I thought his memory was like the other memories of the dead that accumulate in every man’s life-a vague impress on the brain of shadows that had fallen on it in their swift and final passage; but before the high and ponderous door, between the tall houses of a street as still and decorous as a well-kept alley in a cemetery, I had vision of him on the stretcher,opening his mouth voraciously, as if to devour all the earth with all its mankind.” Heart of Darkness (Conrad, 1990) Marlow is beginning to experience the thoughts of reality now, and this is exactly what Conrad is getting across to us. In relation to the film Blood Diamond (Edward Zwick, 2006) it allows the audience to visualize what reality would look like if our society weren’t so sightless to realism. Blood Diamond (Edward Zwick, 2006) shows a country torn apart by the struggle between government soldiers and rebel forces, leading up to Solomon Vandy, a Mende fisherman, being captured by the Revolutionary United Front. This leaves the audience questioning our society and themselves as individuals. Why might our world be so cruel? No one could tell you then, and no one seems to know the answer today. The horror and brutality of our world is outstanding, unreasonable and horrifying. Hopefully every one else who read the powerful novella, Heart of Darkness (Conrad, 1990) gets the message through to them that Joseph Conrad was writing about. Our world needs to find a conclusion to world hunger, slavery, and unfairness of all sorts right away before it’s too late.
Conrad, Joseph. Heart of Darkness. New York: Oxford University Press, 1998. Print.
Zwick, Edward (2006). Blood Diamond. USA Initial Entertainment Group.